Do you have a ‘thing’ about pens? You know, the kind of obsession you don’t like to mention in public in case people start avoiding you at parties and on the high street.
Do you have a ‘thing’ about pens? You know, the kind of obsession you don’t like to mention in public in case people start avoiding you at parties and on the high street.
Earlier this year, I watched a programme on the BBC about a painting that might, or might not, be by Modigliani. Some time later, I get part way through reading The Magus by John Fowles and find a reference to a Modigliani hanging on the wall of the house in which much of the action takes place.
I’ve been jotting down some new 50for30 stories recently and was fortunate enough to get one accepted on the FiftyWordStories website.
Welcome to James Dain, the writer of gritty thrillers, who gives us the low down on his writing process and his latest books.
A high stakes game of espionage in the best traditions of The Thirty-Nine Steps.
Spring 1912. Trainee solicitor, Alexander Templeman, boards the night-train north from London, feeling guilty at having left it so long since he last visited his godparents in the lowland hills of Scotland. Little does he know that his journey is taking him to the most terrifying experience of his life.
But when the challenge comes, will the inexperienced young man be up to the job or will he succumb to an unrelenting struggle with a cunning foe, that has as it’s prize not only his own life but the very future of the country he adores?
A high stakes game of espionage in the best traditions of The Thirty-Nine Steps.
Spring 1912. Trainee solicitor, Alexander Templeman, boards the night-train north from London, feeling guilty at having left it so long since he last visited his godparents in the lowland hills of Scotland. Little does he know that his journey is taking him to the most terrifying experience of his life.
But when the challenge comes, will the inexperienced young man be up to the job or will he succumb to an unrelenting struggle with a cunning foe, that has as it’s prize not only his own life but the very future of the country he adores?
A high stakes game of espionage in the best traditions of The Thirty-Nine Steps.
Spring 1912. Trainee solicitor, Alexander Templeman, boards the night-train north from London, feeling guilty at having left it so long since he last visited his godparents in the lowland hills of Scotland. Little does he know that his journey is taking him to the most terrifying experience of his life.
But when the challenge comes, will the inexperienced young man be up to the job or will he succumb to an unrelenting struggle with a cunning foe, that has as it’s prize not only his own life but the very future of the country he adores?
Like any sensible writer, I always make sure I have a note pad to hand for those moments when inspiration strikes me unexpectedly. That’s something that happens often, which is very inconvenient because I’m rarely in a position to immediately follow up on any fabulous new idea by adding some flesh to the bare bones.
I recently started reading a huge biography of Benjamin Disraeli, the nineteenth-century British Prime Minister. Although I already knew that he penned a few novels in his time, I hadn’t realised how big a part writing played in his early life and the extent of his output.
I’ve been watching The Peripheral on Amazon. I do love a well-made sci-fi film or TV show and the quality of production and acting on this one are excellent. It’s on a Friday release schedule here in the UK and has thus given me a little something extra to look forward to on the last working day of the week.
There is just one problem, I’d already read the book, written by William Gibson.